Advertising Agency: Callegari Berville Grey, Paris, France
Executive Creative Director: Andrea Stillacci
Creative Directors: Giovanni Settesoldi, Luissandro Del Gobbo
Art Director: Giovanni Settesoldi
Copywriter: Luissandro Del Gobbo
Photographer: Riccardo Bagnoli
Illustrator: Claudio Luparelli
Sundek: Soldiers
joseph said,
albeit violent its funny. good work.
Jojo said,
What a wonderful photography, well done italians in Paris
Matteo Civaschi said,
è una campagna che avrei voluto fare io. stupenda.
bravissimi.
M.
sudoku said,
Bravissimi. Issimi. Issimi.
Cann said,
Dont like it
grant said,
State esagerando.
Niente da dire sulla bravura già affermata di qusti creativi, ma non mi sembra di dire una follia dicendo che questa è uno dei loro lavori meno riusciti. Ciò non vuol dire che sia brutta anzi, ma di certo non è fenomenale e non vincerà a Cannes.
Bella la fotografia, idea normale.
Nkia said,
Grant fai il pubblicitario, il critico o l’indovino? O tutte e tre le cose insieme? Vorrei conoscerti dal vivo.
bardhi said,
diesel
luciano said,
Please take contact with me !
christo said,
i DON´T LIKE IT. THE CAMPAIGN HAS AN INTERESTING CONCEPT THAT NEVER EXPLODED, THE IMAGES ARE GOOD, BUT SO MUCH OVERACTED, THERE IS SOMETHING REALLY STATIC IN THE MOVEMENTS THAT MAKES THEM NOT BELIEVABLE, PHOTOGRAPHY HAS SOMETHING STRANGE IN THE FLYING BALLOONS AND ART DIRECTION IS REALLY UGLY IN TERMS OF TYPO, COLOURS AND WEIGHTS AND SO NAIVE WITH ALL THAT FIGURES AND DINGBATS. FOR ME, IS NOT AT THEIR USUAL LEVEL.
De Gaule said,
Un français dira que le débarquement, c’est avant 1958.
forma said,
Diesel, actually.
Gilles said,
why Diesel?
Poli said,
Totally different from Diesel, this seems a fresh and new idea
ginevra said,
normale e fatta bene. un normalmente bravo a tutti
me said,
really really nice photography!
but war isn’t funny.
joseph said,
Just to explain my prior comment: I meant it was funny in the perverse sense that it was off key. Like looking in warped mirror or something at a carnival.
Philip Downer said,
I love ‘em. Somewhat retro and modern at the same time. The violence of the images is completely overshadowed by the too-good looking clothing models. The copy is short but makes you read it a couple of times to make sure you’re not missing something that you feel should be there.
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